《双下山》的故事国人大多详知，不过是那日山中桃花初开，小尼姑与小和尚相遇，心中萌发情愫，最后双双放下拂尘，结伴共同下山去。然而，舞台上最浓墨重彩的尾声究竟是小尼姑疯疯癫癫的幻觉还是观者心中对美满大结局一厢情愿的期盼投射？《双下山》的精妙之处恰恰在于以这样一个开放式的结尾为观者掀起了另一层帷幕，令人意犹未尽……该剧以“戏中戏”为叙述方式，舞台再现多种维度，并脱胎于原著，保其魂魄精华，本无色空，打破禁忌，惊世骇俗；拙朴纯真，一心传承，是现代舞语汇和中国传统文化的一次完美碰撞。

Thestory of Escaping From the Temple is quite well known in China: on a beautifulspring day, a young nun met a young monk and they fell in love with eachother.Eventually both of them left their temples and went down the mountaintogether.The ending is the climax of the story.However, is it an illusion ofthe young nun or a projection of the audiences for a “happy ending”?The amazing part of EscapingFrom the Temple lies in its open ending. The audiences may uncover one layer ofthe story after another...

 在视觉呈现上《双下山》或许是灵欲三部曲中最素净淡雅的一部，一切回归纯朴本真。然而正是这部堪称清水芙蓉的《双下山》引发的现实层面的讨论和争议却从未停歇过，上山下山，出世入世，如何方能如履平地可谓每个观者的功课。该部作品也是2015年上海国际艺术节的特别委约作品之一，2016年夏天在德国巡演刷新了观众的对中国现代舞的印象，好评如潮。

From the point of view of visual effects, Escaping From the Temple may be theleast fancy show among all three in Trilogy: everything is presented as itis.  However discussions and debates triggered by the show and its “as-is” style have never stopped.To be or notto be -- in the mountain or down from the mountain, in the temple or in themundane -- and how to transit smoothly in between... Audiences of this show mayfind themselves pondering these questions.This art work was also featured asspecial performance on the Shanghai International Art Festival in 2015.Insummer 2016, this show was on a tour in Germany, which won enormous positivefeedbacks and pressed a ‘reset’button to German audiences’ impression on Chinesemodern dance.